Taylor 314ce| Grand Auditorium | 50th Anniversary | Pick-Up

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    50th Anniversary 314ce LTD elevates one of the world’s best-selling U.S.-made acoustic guitars to new height. Torrefied Sitka spruce and solid sapele

    • Taylor Guitars

    1 in stock

    Product No. 03ATAY-314CE-50TH

    50th Anniversary 314ce LTD Edition

     

    6-String | Sitka Spruce Top | Sapele Back and Sides | Neo-Tropical Mahogany Neck | West African Crelicam Ebony Fretboard | Expression System® 2 Electronics | Venetian Cutaway | Taylor Deluxe Hardshell Brown Case

     

     

     

    Overview

    • Sapele back and sides for warm, punchy midrange
    • Torrefied Sitka spruce top for a warm, played-in sound
    • Includes ES2 electronics and a hardshell case
    • V-Class bracing dials up volume and sustain
    • Production limited to 1,974 guitars worldwide

     

    Description

    The 50th Anniversary 314ce LTD elevates one of the world's best-selling U.S.-made acoustic guitars to new heights. Featuring a torrefied Sitka spruce top and solid sapele back and sides, this versatile Grand Auditorium produces a punchy midrange with a warm, woody low end to balance its sparkling trebles. Our V-Class bracing generates greater volume, sustain and harmony down the neck, while our special roasting process for the top adds a touch of aged-in depth and sweetness. We’ve enhanced the vintage character of the slightly darkened top with a subtle shaded edgeburst around the body and neck, while a firestripe faux-tortoiseshell pickguard adds a bold visual touch. Other aesthetic details include gold tuners and ebony bridge pins with gold acrylic dots. Like all 50th Anniversary Collection models, it features a celebratory limited-edition label, and production will be limited to 1,974 guitars worldwide. This model includes ES2 electronics and a hardshell case.

     

     

    50th Anniversary Collection

    Celebrating five decades of guitar-making with special, limited-edition models crafted to showcase top-tier tonewoods, exquisite appointments, exacting craftsmanship and the innovative spirit that defines Taylor Guitar's legacy.

    Taylor 314ce| Grand Auditorium | 50th Anniversary | Pick-Up

     

    Grand Auditorium

    Taylor’s signature shape embodies the ultimate all-purpose acoustic.

    Taylor 314ce| Grand Auditorium | 50th Anniversary | Pick-Up

     

     

    Sapele

    One of the best all-around tonewoods there is, sapele will deliver for any playing style.

    Taylor 314ce| Grand Auditorium | 50th Anniversary | Pick-Up

     

     

    Sitka Spruce

    The soundboard choice for most guitars, Sitka spruce produces a broad dynamic range and accommodates a versatile range of playing styles.

    Taylor 314ce| Grand Auditorium | 50th Anniversary | Pick-Up

     

    Expression System® 2

    The Taylor Expression System® 2 (ES2) is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar.

    Behind the ES2 Design: Rethinking the Piezo Pickup

    For decades, piezo-electric transducers have been positioned under the saddle of a guitar based on the long-held belief that the string and top vibration cause the saddle to “bounce” up and down. But Taylor’s electronics team, led by developer David Hosler, discovered that the vertical movement is actually heavily restricted, and that the saddle gets “locked down” due to the string tension’s downward pressure. That’s why a traditional under-saddle pickup with piezo-electric crystals often responds with a sound often characterized as thin, brittle, brash or synthetic, especially with more aggressive playing.

    The saddle’s natural range of movement as the guitar is being played is actually back and forth like a pendulum. That revelation led Taylor’s design team to relocate the crystals from under the saddle to behind it. The new positioning enables the crystals to respond more naturally to the guitar’s energy as it is transferred through the saddle. Three pickup sensors are installed behind the saddle, through the bridge, with three tiny Allen screws that calibrate the position of the sensors in relation to the saddle.

    Like the original Expression System, the ES2 features the same volume and tone control knobs. This makes it plug-and-play friendly both for artists and live sound mixers.

    Taylor 314ce| Grand Auditorium | 50th Anniversary | Pick-Up

    Venetian Cutaway

    The Venetian cutaway is known for its soft, round lines. The sloping peak of the cutaway will vary depending on the shape of the body.

    Taylor 314ce| Grand Auditorium | 50th Anniversary | Pick-Up

    V-Class Bracing

    Our patented V-Class bracing is a revolutionary new pattern — a new sonic engine — that marks a major shift away from traditional steel-string bracing patterns.

    Taylor 314ce| Grand Auditorium | 50th Anniversary | Pick-Up

     

    Our patented V-Class bracing is a revolutionary new pattern — a new sonic engine — that marks a major shift away from traditional steel-string bracing patterns. By allowing the soundboard to flex naturally while maintaining rigidity along the centre (in the direction of the strings), V-Class helps enhance the volume and sustain. It also creates a more orderly response from the soundboard. Up and down the fretboard, notes are full, true and consistent, with more harmonic agreement. It represents an entirely new design platform that can be adapted to different body styles in different ways to infuse each with a unique sonic personality.

     

    Highlights

    • Scale Length 25-1/2"
    • Bracing V-Class Bracing
    • Pickguard Celluloid, Firestripe Faux Tortoise
    • Tuners Taylor Gold
    • Strings D'Addario XS Coated Phosphor Bronze Light (.012 - .053)
    • Body Width16"
    • Nut & Saddle Tusq Nut, Micarta Saddle
    • Truss Rod Cover Black Plastic
    • Number of Frets 20
    • CaseTaylor Deluxe Hardshell Brown
    • Body Length 20"
    • Body Depth 4 5/8"

     

    Body

    • Binding Edge Treatment Black
    • Back Config 2-piece No Wedge
    • Rosette Size Three Ring
    • Back/Side Finish Gloss
    • Backstrap Wood None
    • Stain/ Sunburst Medium Brown Stain Back/Sides/Neck
    • Armrest No
    • Top Finish Gloss
    • Backstrap Finish None
    • Bridge Inlay None
    • Armrest Binding  None
    • Rosette Material Plastic
    • Wedge None

     

    Neck

    • Neck Width1-3/4"
    • Fretboard Binding/Edge Treatment Black
    • Type of Neck Joint Scarf
    • Fretboard Wood West African Crelicam Ebony
    • Fretboard Inlay Gemstone, Italian Acrylic
    • Neck/Heel Neo-Tropical Mahogany
    • Neck Finish Satin

     

    Peghead

    • Peghead Finish  Satin
    • Peghead Type  Paddle, Standard
    • Headstock Overlay West African Crelicam Ebony
    • Peghead Logo Italian Acrylic
    • Peghead Binding None
    • Peghead Purfling None
    • Peghead Inlay Gemstone, Italian Acrylic

    Other

    • Bridge Pins West African Crelicam Ebony
    • Fingerboard Ext None
    • ButtonsGold
    • Edge Trim Black

     

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    Fiona Walton

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