Presonus Eris 5″ Studio Monitor

Eris® E5 2-Way Active Studio Monitors

The compact Eris E5 2-way, biamped monitor speaker delivers very accurate response with a tight bass and very clear upper end and can be user-adjusted to the acoustic space– a feature not typically available in this price point.

The compact Eris E5 employs a 5.25-inch, woven composite low-frequency driver; a low-mass, 1 inch, silk-dome tweeter; and Class AB biamplification to deliver professional audio quality. Unlike comparably priced studio monitors, Eris can be user-adjusted to the acoustic space, allowing you to create a more accurate listening environment or to simulate different common listening environments

When it’s time to replace those cheap “computer” speakers with serious 2-way professional studio monitors, you’re ready for the Eris E5. With woven composite low frequency transducers, low-mass silk-dome tweeters, responsive Class AB amplification, and professional acoustic-adjustment controls, the compact Eris E5 represents an outstanding value in its class. It includes RF shielding, current-output limiting, over-temperature protection, and subsonic protection, and unlike comparably priced studio monitors, it has controls for simulating different listening environments and flattening frequency response to enable accurate mixing.

• ď‚• 5.25-inch woven composite low-frequency transducer
• ď‚• 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
• ď‚• 80 watt, Class AB biamplification
• ď‚• Midrange (±6 dB, continuously variable), HF (±6 dB, continuously variable), Highpass filter (Off, 80 Hz, 100 Hz) and Acoustic Space settings (flat, -2, -4 dB) for accurate mixing contour
• ď‚• RF interference, output current limiting, over-temperature, transient, and subsonic protection

Bullet points (extended list):
• ď‚• 5.25-inch woven composite low-frequency transducer
• ď‚• 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
• ď‚• 80 watt, Class AB biamplification
• ď‚• Front-firing acoustic port for superior bass-frequency reproduction
• ď‚• Acoustic Tuning control for accurate mixing contour:
• â—¦ Midrange (±6 dB, continuously variable)
• â—¦ HF (±6 dB, continuously variable)
• â—¦ Highpass filter (Off, 80 Hz, 100 Hz)
• ď‚• Acoustic Space settings (flat, -2, -4 dB)
• ď‚• RF interference, output current limiting, over-temperature, transient, and subsonic protection
• ď‚• Optimized, resonance-suppressing internal bracing
• ď‚• Balanced XLR/¼-inch and unbalanced RCA inputs
• ď‚• 102 dB maximum continuous SPL